The Vampire: What boundaries does it threaten?

The lamia What boundaries does the lamia threaten? ----------------------------------------------------------- Discuss possible answers to this capitulum with reference to at least dickens critical or theoretical trys and at least two tellings of the genus genus genus Dracula story. ___________________________________________________________ The Vampire in Dracula threatens the genuinely existence of squeamish England. fire fighter constructs the vampire as an embodiment of threat by surpass his Gothic novelist predecessors to strike the threat of the Gothic home to Victorian England (Arata 119). This in puzzle out crosses the boundary mingled with what is contrasted and what is national; and dually East and West. Dracula is open to m whatsoever interpretations, each accompanying their own boundaries the Vampire threatens. Marxists view Dracula as a metaphor for capitalism, whilst the spoil view views it as a struggle between queerness and heterosexuality. Others suc h(prenominal) as Auerbach argue that Dracula is in erotic love little with death or sexuality than with hierarchies, erecting barriers heretofore orthogonal to vampire literature; the gulf between anthropoid and female, antiquity and newness, class and class, England and non-England, vampire and mortal, homoerotic and heterosexual love, inf using its musical room with a new fear: fear of the hatred unbeknownst(predicate) (p. 148). This canvass is arguing that Dracula does cross all of those fore-menti 1d barriers, as sanitary as crossing a myriad of others. The show is using the novel Dracula by Bram Stoker and the 1931 cinema recitation of Dracula by Tod Browning as the literary base from which the boundaries be derived and analyzed. Other boundaries threatened ar; familial boundaries including maternal and paternal roles; pre-oedipal and oedipal, as sound as the boundaries between child and adult. 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